I woke up with one of the worst cases of the Christmas blues I've ever had. I often get down around the holidays, but it usually goes away on Christmas Eve. I suppose it's because I know it's almost over. Some of it has to do with being lonely as a kid at Christmas because… Continue reading Avoiding the Christmas Blues
Author: kencrocker
Fine artist; graphic artist; draughtsman; digital artist
What I Do When I’m Too Busy to Draw
Because I'm working a seasonal job this year, lately I haven't have much time to draw (or blog). To make up for it, I've been rereading Robert Beverly Hale's “Master Class in Figure Drawing” on my breaks. I also have audio copies of his 10 lectures that I listen to on my 40 minute drive… Continue reading What I Do When I’m Too Busy to Draw
Got My Charcoal Working
After much searching and experimentation, I've found a good working combination, using compressed charcoal on Strathmore #400 18 x 24 inch paper plus a really hard eraser. I've been forcing myself to get the whole figure down in one minute before refining. This drawing is 25 minutes, the longest I can handle without getting bogged… Continue reading Got My Charcoal Working
Charcoal from Photo
My first charcoal drawing from one of my own photos! I've been doing a lot of copying from Internet photos—a lot of nudes from the site http://artists.pixelovely.com/practice-tools/figure-drawing/ for quick sketch practice, and some figures from Garry Winogrand photos. Copying the Winogrand photos gave me the idea that maybe I could use my own photos. I… Continue reading Charcoal from Photo
No Where to Hide
Four-hour charcoal drawing at the P&C, drawing with the “pros.” It's been a long time since I went to a Monday long pose open studio, and I was really intimidated to go back. But I “toughed it out” and came up with this drawing, which I like. Of course, the face and arm are over-worked,… Continue reading No Where to Hide
Down the Rabbit Hole
I wasn't having much of a day drawing at the Palette and Chisel, first in the morning and then in the evening yesterday. I was getting discouraged, so I thought I'd try something different—nothing to lose after all. Then I came up with this drawing using compressed instead of vine charcoal. I was trying to… Continue reading Down the Rabbit Hole
A Night with the Devil
The devil in this case being the seduction of details. I went to Philip Solomon's open studio last night and started out reasonably enough, using my newly-learned technique of roughing out the pose with the side of a short piece of soft charcoal. But I knew I had 4 hours and very quickly I was… Continue reading A Night with the Devil
Charcoal in Chicago
One day's half-hour poses at the Palette and Chisel, trying to do things á la Graves's Life Drawing in Charcoal. 12 x 18 or 18 x 24 inches using vine charcoal and a kneaded eraser for the highlights. I'm working on my edge control. Right now I'm doing too much line drawing and… Continue reading Charcoal in Chicago
Practice, practice, practice
This is a half-hour charcoal drawing from a photo on the http://artists.pixelovely.com/practice-tools/figure-drawing/ Web site. My new large monitor makes it fun to draw at home. Although it's often-repeated that you shouldn't draw from photographs, I think it's helpful for practicing the basics such as proportion, layout, etc. and makes it easier to draw from a… Continue reading Practice, practice, practice
Moleskin Gouache Figure
Putting this figure on two pages is almost ironic, since you could pretty much divide it down the middle vertically and say the right side held together pretty well—nice edge where the right side of her back is in front of her right arm; nice substantial right leg and buttock; decent head angle. This against… Continue reading Moleskin Gouache Figure